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		<description>In the “Poetry Off the Page” podcast, scholars talk about exciting developments in British and Irish poetry performance. This podcast is part of the project “Poetry Off the Page: Literary History and the Spoken Word, 1965-2020” based at the University of Vienna, Austria. Each episode is hosted by a different member of the team who will introduce a particular aspect of spoken word poetry in the UK and/or Ireland.

To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net. 

You can also follow us on 
Twitter / X: @PoetryOff_Page
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!</description>
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		<itunes:summary>In the “Poetry Off the Page” podcast, scholars talk about exciting developments in British and Irish poetry performance. This podcast is part of the project “Poetry Off the Page: Literary History and the Spoken Word, 1965-2020” based at the University of Vienna, Austria. Each episode is hosted by a different member of the team who will introduce a particular aspect of spoken word poetry in the UK and/or Ireland.

To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net. 

You can also follow us on 
Twitter / X: @PoetryOff_Page
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!</itunes:summary>
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To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net. 

You can also follow us on 
Twitter / X: @PoetryOff_Page
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!</googleplay:description>
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	<title>Episode 4: Dub Poetry and the Power of Bass</title>
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	<pubDate>Thu, 12 Jun 2025 07:13:31 +0000</pubDate>
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	<description><![CDATA[<p>In this episode, postdoctoral researcher <strong>Rachel Bolle </strong>explores the role of the bass in dub poetry. She discusses the works of Linton Kwesi Johnson and the politics of bass culture. The episode incorporates interviews with Linton Kwesi Johnson and Oku Onura by Bartosz Wójcik, Caspar Melville, and Paul Gilroy.</p>



<p>This episode was written and produced by Rachel Bolle and edited by Marie Krebs of Poetry Off the Page.</p>



<p><strong>Linton Kwesi Johnson’s poem Bass Culture can be listened to on YouTube</strong>:</p>



<p>Linton Kwesi Johnson. “Bass Culture.” YouTube, 2018, https://www.youtube.com/watch?v=spBPMoS8XEQ.</p>



<p><strong>References:</strong></p>



<p>Bolle-Debessay, Rachel. "Low Frequencies and Poetic Innovations: Revisiting Dub Poetry’s Aesthetic." <em>Caribbean Quarterly</em>, vol. 68, no. 2, Apr. 2022, pp. 251–67.
Bolle-Debessay, Rachel. Dub Poetry: A Study Beyond Predefined Interpretations. 2020. King’s College London, doctoral dissertation. Unpublished.
Bradley, Lloyd. <em>Bass Culture: When Reggae Was King</em>. Penguin Books, 2001.
Brotheration Studio Band. "Inflation Dub." uploaded by Pixabay, 2023, <a href="https://pixabay.com/music/search/dub/" target="_blank" rel="noreferrer noopener">https://pixabay.com/music/search/dub/</a>.
Bucknor, Michael A. "Dub Poetry as Postmodern Art Form: Self-conscious of Critical Reception." <em>The Routledge Companion to Anglophone Caribbean Literature</em>, edited by Michael A. Bucknor and Alison Donnell, Routledge, 2011, pp. 255–263.
Gilroy, Paul, and Linton Kwesi Johnson. “In Conversation with Linton Kwesi Johnson.” <em>UCL Racism and Racialisation</em>, University College London, 2021, <a href="https://www.ucl.ac.uk/racism-racialisation/transcript-conversation-linton-kwesi-johnson">https://www.ucl.ac.uk/racism-racialisation/transcript-conversation-linton-kwesi-johnson</a>.
Markham, Edward Archibald. “Random Thoughts.” <em>Hinterland: Caribbean Poetry from the West Indies and Britain</em>, edited by Edward Archibald Markham, Bloodaxe, 1989, pp. 12–42.
Melville, Caspar, interviewer. “Bass Culture Research Project: Linton Kwesi Johnson Interviewed by Caspar Melville.” <em>Bass Culture Research Project</em>, AHRC, 2019, <a href="https://www.youtube.com/watch?v=yaie57hbY7Y" target="_blank" rel="noreferrer noopener">https://www.youtube.com/watch?v=yaie57hbY7Y</a>.
Miller, Kei. "A Smaller Sound, a Lesser Fury: A Eulogy for Dub Poetry." <em>Small Axe Online</em>, no. 14, Nov. 2013, <a href="http://small-axe.happyviper.com/sxsalon/discussions/smaller-sound-lesser-fury">http://small-axe.happyviper.com/sxsalon/discussions/smaller-sound-lesser-fury</a>. Accessed 10 Nov. 2024.
Riley, Mykaell. “Bass Culture: An Alternative Soundtrack to Britishness”. <em>Black Popular Music in Britain Since 1945</em>”, edited by Jon Stratton and Nabeel Zuberi, Ashgate, 2024.
Onuora, Oku. “Oku Onuora (meeting spotkanie Ostroda Reggae Festival 2019).” <em>YouTube</em>, uploaded by Ostroda Reggae Festival, 19 Aug. 2019, <a href="https://www.youtube.com/watch?v=wWAARW1F5zw">https://www.youtube.com/watch?v=wWAARW1F5zw</a>.
The theme music is “Playing in Colour” by user29811401 on Pixabay.</p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.net/wp-content/uploads/2025/06/FINAL_RB-Podcast-Script.pdf" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p>To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net.</p>



<p>You can also follow us on:</p>



<p>Bluesky: @poetryoffthepage.bsky.social
Instagram: @Poetry_offthe_Page
or like us on Facebook ('Poetry Off the Page')! </p>]]></description>
	<itunes:subtitle><![CDATA[In this episode, postdoctoral researcher Rachel Bolle explores the role of the bass in dub poetry. She discusses the works of Linton Kwesi Johnson and the politics of bass culture. The episode incorporates interviews with Linton Kwesi Johnson and Oku Onu]]></itunes:subtitle>
	<content:encoded><![CDATA[<p>In this episode, postdoctoral researcher <strong>Rachel Bolle </strong>explores the role of the bass in dub poetry. She discusses the works of Linton Kwesi Johnson and the politics of bass culture. The episode incorporates interviews with Linton Kwesi Johnson and Oku Onura by Bartosz Wójcik, Caspar Melville, and Paul Gilroy.</p>



<p>This episode was written and produced by Rachel Bolle and edited by Marie Krebs of Poetry Off the Page.</p>



<p><strong>Linton Kwesi Johnson’s poem Bass Culture can be listened to on YouTube</strong>:</p>



<p>Linton Kwesi Johnson. “Bass Culture.” YouTube, 2018, https://www.youtube.com/watch?v=spBPMoS8XEQ.</p>



<p><strong>References:</strong></p>



<p>Bolle-Debessay, Rachel. "Low Frequencies and Poetic Innovations: Revisiting Dub Poetry’s Aesthetic." <em>Caribbean Quarterly</em>, vol. 68, no. 2, Apr. 2022, pp. 251–67.
Bolle-Debessay, Rachel. Dub Poetry: A Study Beyond Predefined Interpretations. 2020. King’s College London, doctoral dissertation. Unpublished.
Bradley, Lloyd. <em>Bass Culture: When Reggae Was King</em>. Penguin Books, 2001.
Brotheration Studio Band. "Inflation Dub." uploaded by Pixabay, 2023, <a href="https://pixabay.com/music/search/dub/" target="_blank" rel="noreferrer noopener">https://pixabay.com/music/search/dub/</a>.
Bucknor, Michael A. "Dub Poetry as Postmodern Art Form: Self-conscious of Critical Reception." <em>The Routledge Companion to Anglophone Caribbean Literature</em>, edited by Michael A. Bucknor and Alison Donnell, Routledge, 2011, pp. 255–263.
Gilroy, Paul, and Linton Kwesi Johnson. “In Conversation with Linton Kwesi Johnson.” <em>UCL Racism and Racialisation</em>, University College London, 2021, <a href="https://www.ucl.ac.uk/racism-racialisation/transcript-conversation-linton-kwesi-johnson">https://www.ucl.ac.uk/racism-racialisation/transcript-conversation-linton-kwesi-johnson</a>.
Markham, Edward Archibald. “Random Thoughts.” <em>Hinterland: Caribbean Poetry from the West Indies and Britain</em>, edited by Edward Archibald Markham, Bloodaxe, 1989, pp. 12–42.
Melville, Caspar, interviewer. “Bass Culture Research Project: Linton Kwesi Johnson Interviewed by Caspar Melville.” <em>Bass Culture Research Project</em>, AHRC, 2019, <a href="https://www.youtube.com/watch?v=yaie57hbY7Y" target="_blank" rel="noreferrer noopener">https://www.youtube.com/watch?v=yaie57hbY7Y</a>.
Miller, Kei. "A Smaller Sound, a Lesser Fury: A Eulogy for Dub Poetry." <em>Small Axe Online</em>, no. 14, Nov. 2013, <a href="http://small-axe.happyviper.com/sxsalon/discussions/smaller-sound-lesser-fury">http://small-axe.happyviper.com/sxsalon/discussions/smaller-sound-lesser-fury</a>. Accessed 10 Nov. 2024.
Riley, Mykaell. “Bass Culture: An Alternative Soundtrack to Britishness”. <em>Black Popular Music in Britain Since 1945</em>”, edited by Jon Stratton and Nabeel Zuberi, Ashgate, 2024.
Onuora, Oku. “Oku Onuora (meeting spotkanie Ostroda Reggae Festival 2019).” <em>YouTube</em>, uploaded by Ostroda Reggae Festival, 19 Aug. 2019, <a href="https://www.youtube.com/watch?v=wWAARW1F5zw">https://www.youtube.com/watch?v=wWAARW1F5zw</a>.
The theme music is “Playing in Colour” by user29811401 on Pixabay.</p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.net/wp-content/uploads/2025/06/FINAL_RB-Podcast-Script.pdf" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p>To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net.</p>



<p>You can also follow us on:</p>



<p>Bluesky: @poetryoffthepage.bsky.social
Instagram: @Poetry_offthe_Page
or like us on Facebook ('Poetry Off the Page')! </p>]]></content:encoded>
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	<itunes:summary><![CDATA[In this episode, postdoctoral researcher Rachel Bolle explores the role of the bass in dub poetry. She discusses the works of Linton Kwesi Johnson and the politics of bass culture. The episode incorporates interviews with Linton Kwesi Johnson and Oku Onura by Bartosz Wójcik, Caspar Melville, and Paul Gilroy.



This episode was written and produced by Rachel Bolle and edited by Marie Krebs of Poetry Off the Page.



Linton Kwesi Johnson’s poem Bass Culture can be listened to on YouTube:



Linton Kwesi Johnson. “Bass Culture.” YouTube, 2018, https://www.youtube.com/watch?v=spBPMoS8XEQ.



References:



Bolle-Debessay, Rachel. "Low Frequencies and Poetic Innovations: Revisiting Dub Poetry’s Aesthetic." Caribbean Quarterly, vol. 68, no. 2, Apr. 2022, pp. 251–67.
Bolle-Debessay, Rachel. Dub Poetry: A Study Beyond Predefined Interpretations. 2020. King’s College London, doctoral dissertation. Unpublished.
Bradley, Lloyd. Bass Culture: When Reggae Was King. Penguin Books, 2001.
Brotheration Studio Band. "Inflation Dub." uploaded by Pixabay, 2023, https://pixabay.com/music/search/dub/.
Bucknor, Michael A. "Dub Poetry as Postmodern Art Form: Self-conscious of Critical Reception." The Routledge Companion to Anglophone Caribbean Literature, edited by Michael A. Bucknor and Alison Donnell, Routledge, 2011, pp. 255–263.
Gilroy, Paul, and Linton Kwesi Johnson. “In Conversation with Linton Kwesi Johnson.” UCL Racism and Racialisation, University College London, 2021, https://www.ucl.ac.uk/racism-racialisation/transcript-conversation-linton-kwesi-johnson.
Markham, Edward Archibald. “Random Thoughts.” Hinterland: Caribbean Poetry from the West Indies and Britain, edited by Edward Archibald Markham, Bloodaxe, 1989, pp. 12–42.
Melville, Caspar, interviewer. “Bass Culture Research Project: Linton Kwesi Johnson Interviewed by Caspar Melville.” Bass Culture Research Project, AHRC, 2019, https://www.youtube.com/watch?v=yaie57hbY7Y.
Miller, Kei. "A Smaller Sound, a Lesser Fury: A Eulogy for Dub Poetry." Small Axe Online, no. 14, Nov. 2013, http://small-axe.happyviper.com/sxsalon/discussions/smaller-sound-lesser-fury. Accessed 10 Nov. 2024.
Riley, Mykaell. “Bass Culture: An Alternative Soundtrack to Britishness”. Black Popular Music in Britain Since 1945”, edited by Jon Stratton and Nabeel Zuberi, Ashgate, 2024.
Onuora, Oku. “Oku Onuora (meeting spotkanie Ostroda Reggae Festival 2019).” YouTube, uploaded by Ostroda Reggae Festival, 19 Aug. 2019, https://www.youtube.com/watch?v=wWAARW1F5zw.
The theme music is “Playing in Colour” by user29811401 on Pixabay.



You can access the episode transcript here.



To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net.



You can also follow us on:



Bluesky: @poetryoffthepage.bsky.social
Instagram: @Poetry_offthe_Page
or like us on Facebook ('Poetry Off the Page')!]]></itunes:summary>
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	<itunes:author><![CDATA[Poetry Off the Page]]></itunes:author>	<googleplay:description><![CDATA[In this episode, postdoctoral researcher Rachel Bolle explores the role of the bass in dub poetry. She discusses the works of Linton Kwesi Johnson and the politics of bass culture. The episode incorporates interviews with Linton Kwesi Johnson and Oku Onura by Bartosz Wójcik, Caspar Melville, and Paul Gilroy.



This episode was written and produced by Rachel Bolle and edited by Marie Krebs of Poetry Off the Page.



Linton Kwesi Johnson’s poem Bass Culture can be listened to on YouTube:



Linton Kwesi Johnson. “Bass Culture.” YouTube, 2018, https://www.youtube.com/watch?v=spBPMoS8XEQ.



References:



Bolle-Debessay, Rachel. "Low Frequencies and Poetic Innovations: Revisiting Dub Poetry’s Aesthetic." Caribbean Quarterly, vol. 68, no. 2, Apr. 2022, pp. 251–67.
Bolle-Debessay, Rachel. Dub Poetry: A Study Beyond Predefined Interpretations. 2020. King’s College London, doctoral dissertation. Unpublished.
Bradley, Lloyd. Bass Culture: When Reggae Was King. Penguin Books, 2001.
Brotherati]]></googleplay:description>
	<googleplay:image href="https://poetryoffthepage.net/wp-content/uploads/2025/06/RB_Podcast_Bass.jpeg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
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<item>
	<title>Episode 3: Poetry Performance MCs</title>
	<link>https://poetryoffthepage.net/podcast/episode-3-poetry-performance-mcs/</link>
	<pubDate>Tue, 03 Dec 2024 14:26:55 +0000</pubDate>
	<dc:creator><![CDATA[Poetry Off the Page]]></dc:creator>
	<guid isPermaLink="false">https://poetryoffthepage.net/?post_type=podcast&#038;p=1572</guid>
	<description><![CDATA[<p>In this episode, researcher <strong>Helen Thomas </strong>explores the role of MCs (masters of ceremonies) at a selection of poetry performance events in the UK from the 1980s to the present day.</p>



<p>This episode was written and produced by Helen Thomas and edited by Marie Krebs of Poetry Off the Page.</p>



<p>The interviews are archived on the University of Vienna’s platform PHAIDRA and can be accessed publicly <a href="https://phaidra.univie.ac.at/detail/o:2045472" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p><strong>The performance and poetry extracts in the episode are taken from:</strong></p>



<ol class="wp-block-list">
<li>An Apples and Snakes recording of the event <em>Jawdance </em>in January 2014, MC Joelle Taylor</li>



<li>An Apples and Snakes recording of the event <em>Miner Poets </em>on 1 August 1984</li>



<li>An Apples and Snakes recording of an event on 07 November 1987, presumably MC Linda Smith</li>



<li>An Apples and Snakes recording of <em>Jawdance </em>in April 2011, MC Paul Lyalls</li>



<li>An Apples and Snakes recording of the A&amp;S Cabaret on 27 January 1989, MC Niyi Osundare</li>
</ol>



<p><strong>References:</strong></p>



<p>Banks, Alec. “From Jamaica to the Bronx,” 04 May 2020, <a href="https://rockthebells.com/articles/jamaican-soundsystem-culture-history/">https://rockthebells.com/articles/jamaican-soundsystem-culture-history/</a>.</p>



<p>Billington, Michael. “Margaret Thatcher Casts a Long Shadow over Theatre and the Arts,” 8 April 2013, <a href="https://www.theguardian.com/stage/2013/apr/08/margaret-thatcher-long-shadow-theatre">https://www.theguardian.com/stage/2013/apr/08/margaret-thatcher-long-shadow-theatre</a>.</p>



<p>La Rotta, Alex. “Hip Hop Was Born in New York City, But Its Roots Are in the Caribbean,” 6 November 2023, <a href="https://time.com/6328945/hip-hop-caribbean-history/">https://time.com/6328945/hip-hop-caribbean-history/</a>.</p>



<p>McNamara, Edward. “Master of Ceremonies,” <a href="https://www.ewtn.com/catholicism/library/masters-of-ceremonies-4482">https://www.ewtn.com/catholicism/library/masters-of-ceremonies-4482</a>; Liturgical Press, <em>Ceremonial of Bishops</em> (1989) Nos. 34-36.</p>



<p>Novak, Julia. <em>Live Poetry</em>, Rodopi 2011.</p>



<p>Price-Styles, Alice. “MC Origins: Rap and Spoken Word Poetry” in <em>The Cambridge Companion to Hip-</em>Hop (Cambridge: Cambridge University Press, 2015) 11-21.</p>



<p>Robinson, Oliver. “How did Jamaican Sound Systems Influence the Birth of Hip-Hop?”, 3 March 2022, <a href="https://thecircular.org/hip-hop-grew-from-roots/">https://thecircular.org/hip-hop-grew-from-roots/</a>.</p>



<p>The theme music is “Playing in Colour” by user29811401 on Pixabay (<a href="https://pixabay.com/music/beautiful-plays-playing-in-color-120336/">https://pixabay.com/music/beautiful-plays-playing-in-color-120336/</a>) .</p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.net/wp-content/uploads/2024/12/HT_Podcast-Transcript_Poetry-MCs.pdf" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p>To learn more about the project, our partners, and to find the episode transcripts, visit <a href="http://www.poetryoffthepage.net">www.poetryoffthepage.net</a>.</p>



<p>You can also follow us on
Bluesky: poetryoffthepage.bsky.social
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!</p>]]></description>
	<itunes:subtitle><![CDATA[In this episode, researcher Helen Thomas explores the role of MCs (masters of ceremonies) at a selection of poetry performance events in the UK from the 1980s to the present day.



This episode was written and produced by Helen Thomas and edited by Mari]]></itunes:subtitle>
	<content:encoded><![CDATA[<p>In this episode, researcher <strong>Helen Thomas </strong>explores the role of MCs (masters of ceremonies) at a selection of poetry performance events in the UK from the 1980s to the present day.</p>



<p>This episode was written and produced by Helen Thomas and edited by Marie Krebs of Poetry Off the Page.</p>



<p>The interviews are archived on the University of Vienna’s platform PHAIDRA and can be accessed publicly <a href="https://phaidra.univie.ac.at/detail/o:2045472" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p><strong>The performance and poetry extracts in the episode are taken from:</strong></p>



<ol class="wp-block-list">
<li>An Apples and Snakes recording of the event <em>Jawdance </em>in January 2014, MC Joelle Taylor</li>



<li>An Apples and Snakes recording of the event <em>Miner Poets </em>on 1 August 1984</li>



<li>An Apples and Snakes recording of an event on 07 November 1987, presumably MC Linda Smith</li>



<li>An Apples and Snakes recording of <em>Jawdance </em>in April 2011, MC Paul Lyalls</li>



<li>An Apples and Snakes recording of the A&amp;S Cabaret on 27 January 1989, MC Niyi Osundare</li>
</ol>



<p><strong>References:</strong></p>



<p>Banks, Alec. “From Jamaica to the Bronx,” 04 May 2020, <a href="https://rockthebells.com/articles/jamaican-soundsystem-culture-history/">https://rockthebells.com/articles/jamaican-soundsystem-culture-history/</a>.</p>



<p>Billington, Michael. “Margaret Thatcher Casts a Long Shadow over Theatre and the Arts,” 8 April 2013, <a href="https://www.theguardian.com/stage/2013/apr/08/margaret-thatcher-long-shadow-theatre">https://www.theguardian.com/stage/2013/apr/08/margaret-thatcher-long-shadow-theatre</a>.</p>



<p>La Rotta, Alex. “Hip Hop Was Born in New York City, But Its Roots Are in the Caribbean,” 6 November 2023, <a href="https://time.com/6328945/hip-hop-caribbean-history/">https://time.com/6328945/hip-hop-caribbean-history/</a>.</p>



<p>McNamara, Edward. “Master of Ceremonies,” <a href="https://www.ewtn.com/catholicism/library/masters-of-ceremonies-4482">https://www.ewtn.com/catholicism/library/masters-of-ceremonies-4482</a>; Liturgical Press, <em>Ceremonial of Bishops</em> (1989) Nos. 34-36.</p>



<p>Novak, Julia. <em>Live Poetry</em>, Rodopi 2011.</p>



<p>Price-Styles, Alice. “MC Origins: Rap and Spoken Word Poetry” in <em>The Cambridge Companion to Hip-</em>Hop (Cambridge: Cambridge University Press, 2015) 11-21.</p>



<p>Robinson, Oliver. “How did Jamaican Sound Systems Influence the Birth of Hip-Hop?”, 3 March 2022, <a href="https://thecircular.org/hip-hop-grew-from-roots/">https://thecircular.org/hip-hop-grew-from-roots/</a>.</p>



<p>The theme music is “Playing in Colour” by user29811401 on Pixabay (<a href="https://pixabay.com/music/beautiful-plays-playing-in-color-120336/">https://pixabay.com/music/beautiful-plays-playing-in-color-120336/</a>) .</p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.net/wp-content/uploads/2024/12/HT_Podcast-Transcript_Poetry-MCs.pdf" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p>To learn more about the project, our partners, and to find the episode transcripts, visit <a href="http://www.poetryoffthepage.net">www.poetryoffthepage.net</a>.</p>



<p>You can also follow us on
Bluesky: poetryoffthepage.bsky.social
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!</p>]]></content:encoded>
	<enclosure url="https://poetryoffthepage.net/wp-content/uploads/2024/12/HT-Podcast-V3_FINAL.mp3" length="65360456" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[In this episode, researcher Helen Thomas explores the role of MCs (masters of ceremonies) at a selection of poetry performance events in the UK from the 1980s to the present day.



This episode was written and produced by Helen Thomas and edited by Marie Krebs of Poetry Off the Page.



The interviews are archived on the University of Vienna’s platform PHAIDRA and can be accessed publicly here.



The performance and poetry extracts in the episode are taken from:




An Apples and Snakes recording of the event Jawdance in January 2014, MC Joelle Taylor



An Apples and Snakes recording of the event Miner Poets on 1 August 1984



An Apples and Snakes recording of an event on 07 November 1987, presumably MC Linda Smith



An Apples and Snakes recording of Jawdance in April 2011, MC Paul Lyalls



An Apples and Snakes recording of the A&amp;S Cabaret on 27 January 1989, MC Niyi Osundare




References:



Banks, Alec. “From Jamaica to the Bronx,” 04 May 2020, https://rockthebells.com/articles/jamaican-soundsystem-culture-history/.



Billington, Michael. “Margaret Thatcher Casts a Long Shadow over Theatre and the Arts,” 8 April 2013, https://www.theguardian.com/stage/2013/apr/08/margaret-thatcher-long-shadow-theatre.



La Rotta, Alex. “Hip Hop Was Born in New York City, But Its Roots Are in the Caribbean,” 6 November 2023, https://time.com/6328945/hip-hop-caribbean-history/.



McNamara, Edward. “Master of Ceremonies,” https://www.ewtn.com/catholicism/library/masters-of-ceremonies-4482; Liturgical Press, Ceremonial of Bishops (1989) Nos. 34-36.



Novak, Julia. Live Poetry, Rodopi 2011.



Price-Styles, Alice. “MC Origins: Rap and Spoken Word Poetry” in The Cambridge Companion to Hip-Hop (Cambridge: Cambridge University Press, 2015) 11-21.



Robinson, Oliver. “How did Jamaican Sound Systems Influence the Birth of Hip-Hop?”, 3 March 2022, https://thecircular.org/hip-hop-grew-from-roots/.



The theme music is “Playing in Colour” by user29811401 on Pixabay (https://pixabay.com/music/beautiful-plays-playing-in-color-120336/) .



You can access the episode transcript here.



To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net.



You can also follow us on
Bluesky: poetryoffthepage.bsky.social
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!]]></itunes:summary>
	<itunes:image href="https://poetryoffthepage.net/wp-content/uploads/2024/02/Helen-Podcast.jpeg"></itunes:image>
	<image>
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		<title>Episode 3: Poetry Performance MCs</title>
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	<itunes:author><![CDATA[Poetry Off the Page]]></itunes:author>	<googleplay:description><![CDATA[In this episode, researcher Helen Thomas explores the role of MCs (masters of ceremonies) at a selection of poetry performance events in the UK from the 1980s to the present day.



This episode was written and produced by Helen Thomas and edited by Marie Krebs of Poetry Off the Page.



The interviews are archived on the University of Vienna’s platform PHAIDRA and can be accessed publicly here.



The performance and poetry extracts in the episode are taken from:




An Apples and Snakes recording of the event Jawdance in January 2014, MC Joelle Taylor



An Apples and Snakes recording of the event Miner Poets on 1 August 1984



An Apples and Snakes recording of an event on 07 November 1987, presumably MC Linda Smith



An Apples and Snakes recording of Jawdance in April 2011, MC Paul Lyalls



An Apples and Snakes recording of the A&amp;S Cabaret on 27 January 1989, MC Niyi Osundare




References:



Banks, Alec. “From Jamaica to the Bronx,” 04 May 2020, https://rockthebells.com/a]]></googleplay:description>
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<item>
	<title>Episode 2: Spoken Word Poetry at Ireland&#8217;s Lingo Festival</title>
	<link>https://poetryoffthepage.net/podcast/episode-2-spoken-word-poetry-at-irelands-lingo-festival/</link>
	<pubDate>Thu, 22 Feb 2024 12:36:40 +0000</pubDate>
	<dc:creator><![CDATA[Poetry Off the Page]]></dc:creator>
	<guid isPermaLink="false">https://poetryoffthepage.net/?post_type=podcast&#038;p=1047</guid>
	<description><![CDATA[<p>In this episode, PhD researcher <strong>Claire Palzer </strong>explores poetry performances at contemporary festivals, focusing on Lingo, Ireland’s spoken word festival (2014-2016). Claire talks about Lingo’s lasting impact and how the festival shaped the poetry that was performed there. The episode incorporates extracts from the poets/performers Kalle Ryan, Felicia Olusanya (aka Felispeaks), Aindrais de Staic, Karl Parkinson and Colin Hassard, as well as excerpts from interviews with Kalle Ryan, Mel Bradley, Abby Oliveira, and Phil Lynch, conducted by the host.</p>



<p>This episode was written and produced by Claire Palzer and edited by Marie Krebs of Poetry Off the Page.</p>



<p>The interviews are archived on the University of Vienna’s u:cloud service and can be accessed publicly <a href="https://ucloud.univie.ac.at/index.php/s/MF5AmJZjCS2ZgFg">here.</a></p>



<p><strong>The performance and poetry extracts in the episode are taken from:</strong></p>



<p>1. A personal video recording of Kalle Ryan’s introduction to Saul William’s performance at The Button Factory as part of Lingo Festival on18 &nbsp;October, 2015.</p>



<p>2. Recordings of the ‘North South East West… Lingo We Have Ignition’ event at The Workman’s Club as part of Lingo Festival on 21 October, 2016. The audio from this event was originally produced and broadcast live by Near FM with the support of the Broadcasting Authority of Ireland Sound and Vision scheme and was published online on 3 November 2016. (<a href="https://nearfm.ie/podcast/tag/north-south-east-west-slam/">https://nearfm.ie/podcast/tag/north-south-east-west-slam/</a> )</p>



<p><strong>References</strong>:</p>



<p>English, Lucy. “The Democracy of Poetry: The Bristol Spoken Word Scene.” <em>Spoken Word in the UK</em>, edited by Lucy English and Jack McGowan, Routledge, 2021, pp. 88–105.
Howarth, Peter and Rowena Hawkins<em>. Festival as Form.</em> 11 November 2023, <a href="https://www.festivalasform.org/">https://www.festivalasform.org/</a> Accessed 15 February 2024.
Lingo. <em>Lingo A Spoken Word Festival 2016. </em>Lingo, 2016.
Lingofest. “Goodbye From Lingo.” <em>Lingo</em>, 4 May 2017. <a href="https://web.archive.org/web/20170909145643/http:/www.lingofestival.com/goodbye-from-lingo/">https://web.archive.org/web/20170909145643/http://www.lingofestival.com/goodbye-from-lingo/</a> Accessed 15 February 2024. <em>&nbsp;</em>
McGuckin, Mary. “Exploring Literary Festivals in Ireland.” <em>International Journal of Event and Festival Management</em>, vol. 14, no. 4, 2023, pp. 523–36. <em>ProQuest</em>, <a href="https://doi.org/10.1108/IJEFM-01-2023-0009">https://doi.org/10.1108/IJEFM-01-2023-0009</a>.
Thompson, Russell. “Biting Back Against the Fascist Octopus: The Story of Apples and Snakes.” <em>Spoken Word in the UK</em>, edited by Lucy English and Jack McGowan, Routledge, 2021, pp. 17–26.</p>



<p>The theme music is “Playing in Colour” by user 29811401 on <a href="https://pixabay.com/music/beautiful-plays-playing-in-color-120336/" target="_blank" rel="noreferrer noopener">Pixabay</a>.</p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.net/wp-content/uploads/2024/02/PoP-Podcast-Episode-2_TRANSCRIPT.pdf" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p>To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net.</p>



<p>You can also follow us on
Twitter / X: @PoetryOff_Page
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!</p>]]></description>
	<itunes:subtitle><![CDATA[In this episode, PhD researcher Claire Palzer explores poetry performances at contemporary festivals, focusing on Lingo, Ireland’s spoken word festival (2014-2016). Claire talks about Lingo’s lasting impact and how the festival shaped the poetry that was]]></itunes:subtitle>
	<content:encoded><![CDATA[<p>In this episode, PhD researcher <strong>Claire Palzer </strong>explores poetry performances at contemporary festivals, focusing on Lingo, Ireland’s spoken word festival (2014-2016). Claire talks about Lingo’s lasting impact and how the festival shaped the poetry that was performed there. The episode incorporates extracts from the poets/performers Kalle Ryan, Felicia Olusanya (aka Felispeaks), Aindrais de Staic, Karl Parkinson and Colin Hassard, as well as excerpts from interviews with Kalle Ryan, Mel Bradley, Abby Oliveira, and Phil Lynch, conducted by the host.</p>



<p>This episode was written and produced by Claire Palzer and edited by Marie Krebs of Poetry Off the Page.</p>



<p>The interviews are archived on the University of Vienna’s u:cloud service and can be accessed publicly <a href="https://ucloud.univie.ac.at/index.php/s/MF5AmJZjCS2ZgFg">here.</a></p>



<p><strong>The performance and poetry extracts in the episode are taken from:</strong></p>



<p>1. A personal video recording of Kalle Ryan’s introduction to Saul William’s performance at The Button Factory as part of Lingo Festival on18 &nbsp;October, 2015.</p>



<p>2. Recordings of the ‘North South East West… Lingo We Have Ignition’ event at The Workman’s Club as part of Lingo Festival on 21 October, 2016. The audio from this event was originally produced and broadcast live by Near FM with the support of the Broadcasting Authority of Ireland Sound and Vision scheme and was published online on 3 November 2016. (<a href="https://nearfm.ie/podcast/tag/north-south-east-west-slam/">https://nearfm.ie/podcast/tag/north-south-east-west-slam/</a> )</p>



<p><strong>References</strong>:</p>



<p>English, Lucy. “The Democracy of Poetry: The Bristol Spoken Word Scene.” <em>Spoken Word in the UK</em>, edited by Lucy English and Jack McGowan, Routledge, 2021, pp. 88–105.
Howarth, Peter and Rowena Hawkins<em>. Festival as Form.</em> 11 November 2023, <a href="https://www.festivalasform.org/">https://www.festivalasform.org/</a> Accessed 15 February 2024.
Lingo. <em>Lingo A Spoken Word Festival 2016. </em>Lingo, 2016.
Lingofest. “Goodbye From Lingo.” <em>Lingo</em>, 4 May 2017. <a href="https://web.archive.org/web/20170909145643/http:/www.lingofestival.com/goodbye-from-lingo/">https://web.archive.org/web/20170909145643/http://www.lingofestival.com/goodbye-from-lingo/</a> Accessed 15 February 2024. <em>&nbsp;</em>
McGuckin, Mary. “Exploring Literary Festivals in Ireland.” <em>International Journal of Event and Festival Management</em>, vol. 14, no. 4, 2023, pp. 523–36. <em>ProQuest</em>, <a href="https://doi.org/10.1108/IJEFM-01-2023-0009">https://doi.org/10.1108/IJEFM-01-2023-0009</a>.
Thompson, Russell. “Biting Back Against the Fascist Octopus: The Story of Apples and Snakes.” <em>Spoken Word in the UK</em>, edited by Lucy English and Jack McGowan, Routledge, 2021, pp. 17–26.</p>



<p>The theme music is “Playing in Colour” by user 29811401 on <a href="https://pixabay.com/music/beautiful-plays-playing-in-color-120336/" target="_blank" rel="noreferrer noopener">Pixabay</a>.</p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.net/wp-content/uploads/2024/02/PoP-Podcast-Episode-2_TRANSCRIPT.pdf" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p>To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net.</p>



<p>You can also follow us on
Twitter / X: @PoetryOff_Page
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!</p>]]></content:encoded>
	<enclosure url="https://poetryoffthepage.net/wp-content/uploads/2024/02/CP_Podcast_FINALV2.mp3" length="65734080" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[In this episode, PhD researcher Claire Palzer explores poetry performances at contemporary festivals, focusing on Lingo, Ireland’s spoken word festival (2014-2016). Claire talks about Lingo’s lasting impact and how the festival shaped the poetry that was performed there. The episode incorporates extracts from the poets/performers Kalle Ryan, Felicia Olusanya (aka Felispeaks), Aindrais de Staic, Karl Parkinson and Colin Hassard, as well as excerpts from interviews with Kalle Ryan, Mel Bradley, Abby Oliveira, and Phil Lynch, conducted by the host.



This episode was written and produced by Claire Palzer and edited by Marie Krebs of Poetry Off the Page.



The interviews are archived on the University of Vienna’s u:cloud service and can be accessed publicly here.



The performance and poetry extracts in the episode are taken from:



1. A personal video recording of Kalle Ryan’s introduction to Saul William’s performance at The Button Factory as part of Lingo Festival on18 &nbsp;October, 2015.



2. Recordings of the ‘North South East West… Lingo We Have Ignition’ event at The Workman’s Club as part of Lingo Festival on 21 October, 2016. The audio from this event was originally produced and broadcast live by Near FM with the support of the Broadcasting Authority of Ireland Sound and Vision scheme and was published online on 3 November 2016. (https://nearfm.ie/podcast/tag/north-south-east-west-slam/ )



References:



English, Lucy. “The Democracy of Poetry: The Bristol Spoken Word Scene.” Spoken Word in the UK, edited by Lucy English and Jack McGowan, Routledge, 2021, pp. 88–105.
Howarth, Peter and Rowena Hawkins. Festival as Form. 11 November 2023, https://www.festivalasform.org/ Accessed 15 February 2024.
Lingo. Lingo A Spoken Word Festival 2016. Lingo, 2016.
Lingofest. “Goodbye From Lingo.” Lingo, 4 May 2017. https://web.archive.org/web/20170909145643/http://www.lingofestival.com/goodbye-from-lingo/ Accessed 15 February 2024. &nbsp;
McGuckin, Mary. “Exploring Literary Festivals in Ireland.” International Journal of Event and Festival Management, vol. 14, no. 4, 2023, pp. 523–36. ProQuest, https://doi.org/10.1108/IJEFM-01-2023-0009.
Thompson, Russell. “Biting Back Against the Fascist Octopus: The Story of Apples and Snakes.” Spoken Word in the UK, edited by Lucy English and Jack McGowan, Routledge, 2021, pp. 17–26.



The theme music is “Playing in Colour” by user 29811401 on Pixabay.



You can access the episode transcript here.



To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net.



You can also follow us on
Twitter / X: @PoetryOff_Page
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!]]></itunes:summary>
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	<itunes:author><![CDATA[Poetry Off the Page]]></itunes:author>	<googleplay:description><![CDATA[In this episode, PhD researcher Claire Palzer explores poetry performances at contemporary festivals, focusing on Lingo, Ireland’s spoken word festival (2014-2016). Claire talks about Lingo’s lasting impact and how the festival shaped the poetry that was performed there. The episode incorporates extracts from the poets/performers Kalle Ryan, Felicia Olusanya (aka Felispeaks), Aindrais de Staic, Karl Parkinson and Colin Hassard, as well as excerpts from interviews with Kalle Ryan, Mel Bradley, Abby Oliveira, and Phil Lynch, conducted by the host.



This episode was written and produced by Claire Palzer and edited by Marie Krebs of Poetry Off the Page.



The interviews are archived on the University of Vienna’s u:cloud service and can be accessed publicly here.



The performance and poetry extracts in the episode are taken from:



1. A personal video recording of Kalle Ryan’s introduction to Saul William’s performance at The Button Factory as part of Lingo Festival on18 &nbsp;Octobe]]></googleplay:description>
	<googleplay:image href="https://poetryoffthepage.net/wp-content/uploads/2024/02/Claire-Podcast_large.jpeg"></googleplay:image>
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<item>
	<title>Episode 1: Spoken Word Theatre: Poetry in the Cross-Art Laboratory</title>
	<link>https://poetryoffthepage.net/podcast/spoken-word-theatre-poetry-in-the-cross-art-laboratory/</link>
	<pubDate>Thu, 15 Feb 2024 12:50:51 +0000</pubDate>
	<dc:creator><![CDATA[Poetry Off the Page]]></dc:creator>
	<guid isPermaLink="false">https://poetryoffthepage.univie.ac.at/?post_type=podcast&#038;p=1022</guid>
	<description><![CDATA[<p>In this episode, PhD researcher <strong>Shefali Banerji </strong>explores the various artforms that poets incorporate in their long form spoken word shows. Shefali particularly focuses on the oral and aural artistic innovations that feature in these shows, which are also called spoken word plays. The episode incorporates poem extracts from Jasmine Gardosi, Malaika Kegode, Hannah Silva and Roger Robinson, as well as excerpts from interviews with Jasmine Gardosi and Roger Robinson conducted by the host.</p>



<p>This episode was written and produced by Shefali Banerji and edited by Marie Krebs of Poetry Off the Page. </p>



<p>The interviews are archived on the University of Vienna’s platform PHAIDRA and can be accessed publicly <a href="https://phaidra.univie.ac.at/detail/o:2045472">here</a>.</p>



<p><strong>The performance and poetry extracts in the episode are taken from:</strong></p>



<p>1. A WAC recording of the show ‘Dancing to Music You Hate’ by Jasmine Gardosi performed at Warwick Arts Centre on October 26-27, 2021
2. A YouTube excerpt of the show ‘Outlier’ by Malaika Kegode performed at Bristol Old Vic, published on Aug 25, 2022 (https://www.youtube.com/watch?v=n0-zObR1SyE)
3. A Vimeo excerpt of the show ‘Total Man’ by Hannah Silva performed at Electronic Voice Phenomena, published on the Penned in the Margin/Mercy channels in 2014 (https://vimeo.com/68613215)
4. An Apples &amp; Snakes recording of the show ‘Shadow Boxer’ by Roger Robinson performed at Battersea Arts Centre on December 6, 2001</p>



<p><strong>References</strong>:</p>



<p>Bearder, Pete. <em>Stage Invasion: Poetry &amp; the Spoken Word Renaissance</em>. Outspoken Press, 2019.</p>



<p>The theme music is “Playing in Colour” by user 29811401 on <a href="https://pixabay.com/music/beautiful-plays-playing-in-color-120336/">Pixabay</a>.</p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.univie.ac.at/wp-content/uploads/2024/02/PoP-Podcast-Episode-1_TRANSCRIPT.pdf" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p>To learn more about the project, our partners, and to find the episode transcripts, visit <a href="http://www.poetryoffthepage.net">www.poetryoffthepage.net</a>.</p>



<p>You can also follow us on
Twitter / X: @PoetryOff_Page
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!</p>]]></description>
	<itunes:subtitle><![CDATA[In this episode, PhD researcher Shefali Banerji explores the various artforms that poets incorporate in their long form spoken word shows. Shefali particularly focuses on the oral and aural artistic innovations that feature in these shows, which are also]]></itunes:subtitle>
	<content:encoded><![CDATA[<p>In this episode, PhD researcher <strong>Shefali Banerji </strong>explores the various artforms that poets incorporate in their long form spoken word shows. Shefali particularly focuses on the oral and aural artistic innovations that feature in these shows, which are also called spoken word plays. The episode incorporates poem extracts from Jasmine Gardosi, Malaika Kegode, Hannah Silva and Roger Robinson, as well as excerpts from interviews with Jasmine Gardosi and Roger Robinson conducted by the host.</p>



<p>This episode was written and produced by Shefali Banerji and edited by Marie Krebs of Poetry Off the Page. </p>



<p>The interviews are archived on the University of Vienna’s platform PHAIDRA and can be accessed publicly <a href="https://phaidra.univie.ac.at/detail/o:2045472">here</a>.</p>



<p><strong>The performance and poetry extracts in the episode are taken from:</strong></p>



<p>1. A WAC recording of the show ‘Dancing to Music You Hate’ by Jasmine Gardosi performed at Warwick Arts Centre on October 26-27, 2021
2. A YouTube excerpt of the show ‘Outlier’ by Malaika Kegode performed at Bristol Old Vic, published on Aug 25, 2022 (https://www.youtube.com/watch?v=n0-zObR1SyE)
3. A Vimeo excerpt of the show ‘Total Man’ by Hannah Silva performed at Electronic Voice Phenomena, published on the Penned in the Margin/Mercy channels in 2014 (https://vimeo.com/68613215)
4. An Apples &amp; Snakes recording of the show ‘Shadow Boxer’ by Roger Robinson performed at Battersea Arts Centre on December 6, 2001</p>



<p><strong>References</strong>:</p>



<p>Bearder, Pete. <em>Stage Invasion: Poetry &amp; the Spoken Word Renaissance</em>. Outspoken Press, 2019.</p>



<p>The theme music is “Playing in Colour” by user 29811401 on <a href="https://pixabay.com/music/beautiful-plays-playing-in-color-120336/">Pixabay</a>.</p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.univie.ac.at/wp-content/uploads/2024/02/PoP-Podcast-Episode-1_TRANSCRIPT.pdf" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p>To learn more about the project, our partners, and to find the episode transcripts, visit <a href="http://www.poetryoffthepage.net">www.poetryoffthepage.net</a>.</p>



<p>You can also follow us on
Twitter / X: @PoetryOff_Page
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!</p>]]></content:encoded>
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	<itunes:summary><![CDATA[In this episode, PhD researcher Shefali Banerji explores the various artforms that poets incorporate in their long form spoken word shows. Shefali particularly focuses on the oral and aural artistic innovations that feature in these shows, which are also called spoken word plays. The episode incorporates poem extracts from Jasmine Gardosi, Malaika Kegode, Hannah Silva and Roger Robinson, as well as excerpts from interviews with Jasmine Gardosi and Roger Robinson conducted by the host.



This episode was written and produced by Shefali Banerji and edited by Marie Krebs of Poetry Off the Page. 



The interviews are archived on the University of Vienna’s platform PHAIDRA and can be accessed publicly here.



The performance and poetry extracts in the episode are taken from:



1. A WAC recording of the show ‘Dancing to Music You Hate’ by Jasmine Gardosi performed at Warwick Arts Centre on October 26-27, 2021
2. A YouTube excerpt of the show ‘Outlier’ by Malaika Kegode performed at Bristol Old Vic, published on Aug 25, 2022 (https://www.youtube.com/watch?v=n0-zObR1SyE)
3. A Vimeo excerpt of the show ‘Total Man’ by Hannah Silva performed at Electronic Voice Phenomena, published on the Penned in the Margin/Mercy channels in 2014 (https://vimeo.com/68613215)
4. An Apples &amp; Snakes recording of the show ‘Shadow Boxer’ by Roger Robinson performed at Battersea Arts Centre on December 6, 2001



References:



Bearder, Pete. Stage Invasion: Poetry &amp; the Spoken Word Renaissance. Outspoken Press, 2019.



The theme music is “Playing in Colour” by user 29811401 on Pixabay.



You can access the episode transcript here.



To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net.



You can also follow us on
Twitter / X: @PoetryOff_Page
Instagram @Poetry_offthe_Page
or like us on Facebook (‘Poetry Off the Page’)!]]></itunes:summary>
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	<itunes:author><![CDATA[Poetry Off the Page]]></itunes:author>	<googleplay:description><![CDATA[In this episode, PhD researcher Shefali Banerji explores the various artforms that poets incorporate in their long form spoken word shows. Shefali particularly focuses on the oral and aural artistic innovations that feature in these shows, which are also called spoken word plays. The episode incorporates poem extracts from Jasmine Gardosi, Malaika Kegode, Hannah Silva and Roger Robinson, as well as excerpts from interviews with Jasmine Gardosi and Roger Robinson conducted by the host.



This episode was written and produced by Shefali Banerji and edited by Marie Krebs of Poetry Off the Page. 



The interviews are archived on the University of Vienna’s platform PHAIDRA and can be accessed publicly here.



The performance and poetry extracts in the episode are taken from:



1. A WAC recording of the show ‘Dancing to Music You Hate’ by Jasmine Gardosi performed at Warwick Arts Centre on October 26-27, 2021
2. A YouTube excerpt of the show ‘Outlier’ by Malaika Kegode performed at Bris]]></googleplay:description>
	<googleplay:image href="https://poetryoffthepage.net/wp-content/uploads/2024/06/Shefali_Podcast_small.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>PoP Podcast Trailer</title>
	<link>https://poetryoffthepage.net/podcast/pop-podcast-trailer/</link>
	<pubDate>Thu, 01 Feb 2024 13:25:33 +0000</pubDate>
	<dc:creator><![CDATA[Poetry Off the Page]]></dc:creator>
	<guid isPermaLink="false">https://poetryoffthepage.univie.ac.at/?post_type=podcast&#038;p=888</guid>
	<description><![CDATA[<p>This is the podcast trailer for Poetry Off the Page; written, produced, and edited by Marie Krebs. The podcast is part of the project “Poetry Off the Page: Literary History and the Spoken Word, 1965-2020” based at the University of Vienna, Austria. Each episode is hosted by a different member of the team who will introduce a particular aspect of spoken word poetry in the UK and/or Ireland. The first episode will go live on 15 February 2024. </p>



<p>The extract is taken from a recording by Apples &amp; Snakes featuring Benjamin Zephaniah performing 'Dis Poetry' at CGCC on 27 October 1989. </p>



<p>The theme music is "Playing in Colour" by user 29811401 on <a href="https://pixabay.com/music/beautiful-plays-playing-in-color-120336/">Pixabay</a>. </p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.univie.ac.at/wp-content/uploads/2024/02/Podcast-Trailer_FINAL.pdf" target="_blank" rel="noreferrer noopener">here</a>. </p>



<p><p class="MsoNormal">To learn more about the project, our partners, and to find the episode transcripts, visit <a href="http://www.poetryoffthepage.net">www.poetryoffthepage.net</a>. You can also follow us on  </p>Twitter / X: @PoetryOff_Page 
Instagram @Poetry_offthe_Page 
or like us on Facebook (‘Poetry Off the Page’)!</p>]]></description>
	<itunes:subtitle><![CDATA[This is the podcast trailer for Poetry Off the Page; written, produced, and edited by Marie Krebs. The podcast is part of the project “Poetry Off the Page: Literary History and the Spoken Word, 1965-2020” based at the University of Vienna, Austria. Each ]]></itunes:subtitle>
	<content:encoded><![CDATA[<p>This is the podcast trailer for Poetry Off the Page; written, produced, and edited by Marie Krebs. The podcast is part of the project “Poetry Off the Page: Literary History and the Spoken Word, 1965-2020” based at the University of Vienna, Austria. Each episode is hosted by a different member of the team who will introduce a particular aspect of spoken word poetry in the UK and/or Ireland. The first episode will go live on 15 February 2024. </p>



<p>The extract is taken from a recording by Apples &amp; Snakes featuring Benjamin Zephaniah performing 'Dis Poetry' at CGCC on 27 October 1989. </p>



<p>The theme music is "Playing in Colour" by user 29811401 on <a href="https://pixabay.com/music/beautiful-plays-playing-in-color-120336/">Pixabay</a>. </p>



<p>You can access the episode transcript <a href="https://poetryoffthepage.univie.ac.at/wp-content/uploads/2024/02/Podcast-Trailer_FINAL.pdf" target="_blank" rel="noreferrer noopener">here</a>. </p>



<p><p class="MsoNormal">To learn more about the project, our partners, and to find the episode transcripts, visit <a href="http://www.poetryoffthepage.net">www.poetryoffthepage.net</a>. You can also follow us on  </p>Twitter / X: @PoetryOff_Page 
Instagram @Poetry_offthe_Page 
or like us on Facebook (‘Poetry Off the Page’)!</p>]]></content:encoded>
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	<itunes:summary><![CDATA[This is the podcast trailer for Poetry Off the Page; written, produced, and edited by Marie Krebs. The podcast is part of the project “Poetry Off the Page: Literary History and the Spoken Word, 1965-2020” based at the University of Vienna, Austria. Each episode is hosted by a different member of the team who will introduce a particular aspect of spoken word poetry in the UK and/or Ireland. The first episode will go live on 15 February 2024. 



The extract is taken from a recording by Apples &amp; Snakes featuring Benjamin Zephaniah performing 'Dis Poetry' at CGCC on 27 October 1989. 



The theme music is "Playing in Colour" by user 29811401 on Pixabay. 



You can access the episode transcript here. 



To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net. You can also follow us on  Twitter / X: @PoetryOff_Page 
Instagram @Poetry_offthe_Page 
or like us on Facebook (‘Poetry Off the Page’)!]]></itunes:summary>
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		<title>PoP Podcast Trailer</title>
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	<itunes:duration>4:24</itunes:duration>
	<itunes:author><![CDATA[Poetry Off the Page]]></itunes:author>	<googleplay:description><![CDATA[This is the podcast trailer for Poetry Off the Page; written, produced, and edited by Marie Krebs. The podcast is part of the project “Poetry Off the Page: Literary History and the Spoken Word, 1965-2020” based at the University of Vienna, Austria. Each episode is hosted by a different member of the team who will introduce a particular aspect of spoken word poetry in the UK and/or Ireland. The first episode will go live on 15 February 2024. 



The extract is taken from a recording by Apples &amp; Snakes featuring Benjamin Zephaniah performing 'Dis Poetry' at CGCC on 27 October 1989. 



The theme music is "Playing in Colour" by user 29811401 on Pixabay. 



You can access the episode transcript here. 



To learn more about the project, our partners, and to find the episode transcripts, visit www.poetryoffthepage.net. You can also follow us on  Twitter / X: @PoetryOff_Page 
Instagram @Poetry_offthe_Page 
or like us on Facebook (‘Poetry Off the Page’)!]]></googleplay:description>
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